Volume 44 (2013), 2 issues per year
Exhibition Reviews Editor:
Book Reviews Editor:
Editorial Board:
Dilys Blum (Philadelphia Museum of Art)
S. D. Chapman (University of Nottingham, UK)
F. Charpigny (Université Lumière Lyon 2, France)
Professor Linda Grove (Sophia University, Japan)
A. Hood (Department of History, University of Toronto, Canada)
T Kusamitsu (Open University of Japan )
T. Nicks (Royal Ontario Museum, Toronto, Canada)
Marie-Louise Nosch (Centre for Textile Research, SAXO-Institute )
Dr Prasannan Parthasarathi (Department of History, Boston College, USA)
Giorgio Riello (University of Exeter)
Professor Mary Rose (Lancaster University, UK)
Verity Wilson (University of Oxford)
Beverly Lemire (Department of History and Classics, University of Alberta, Canada)
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Textile History is an internationally recognised, peer reviewed journal and one of the leading publications in its field. It is viewed as an important outlet for current research. Published in the spring and autumn of each year, its remit has always been to facilitate the publication of high-quality research and discussion in all aspects of scholarship arising from the history of textiles and dress. Since its foundation the scope of the journal has been substantially expanded to include articles dealing with aspects of the cultural and social history of apparel and textiles, as well as issues arising from the exhibition, preservation and interpretation of historic textiles or clothing. Textile History reviews a wide cross-section of books from all parts of the world, dealing with any aspect of textile and clothing history; the Book Reviews Editor is happy to consider books for review that have been published in any of the languages which fall within the bounds of scholarship in its fields. Textile History welcomes high-quality submissions based on original research from a wide range of scholarly perspectives including economic, social, art, design and cultural history, as well as material culture studies from a historical perspective. Submissions from both established and younger scholars are welcome. The journal regularly publishes Exhibition Reviews and Object Lessons; the former offer important discussion of major public exhibitions of dress and textiles, while the latter element of the journal illustrates the ways in which the study of objects can inform analysis in scholarly research. The Research Notes section is intended for brief comments or limited discussion of particular issues not requiring a major article. |
SJR2: 0.123
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Welcome to the New Exhibitions Review Editor, Dinah Eastop, MA, PhD, FIIC, ACR
Dinah is a consultant in conservation and heritage studies. She has been working as a researcher at the National Archives, Kew since November 2010. She is Honorary Lecturer, Institute of Archaeology, UCL; visiting Research Fellow at the universities of Glasgow and Southampton; and a member of the project team for the international Research Network for Textile Conservation, Dress and Textile History, and Technical Art History, University of Glasgow (2010-2012). Dinah's research interests extend from the physical nature of objects to their cultural dynamics and her PhD thesis provided a material culture analysis of textile conservation. The editorial team look forward to working with Dinah on the journal.
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